Feels like years ago that I booked the exhibition space at the central library in the city centre. Today was the day that I could finally hang my paintings and see them in a bigger setting than my front bedroom-come-storage-depot.
List of paintings
Exposed String Triptych II. Acrylic and emulsion with plaster on canvas, 50cm x 76 cm, 2011
Exposed String Triptych III. Acrylic and emulsion with plaster on canvas, 50cm x 76 cm, 2011
With My Body. Acrylic and emulsion with plaster on calico. 1m x 1m. 2011
Til Death. Acrylic and emulsion with plaster on canvas. 50cm x 76cm. 2011
I Thee Endow. Acrylic and emulsion with plaster on calico. 1m x 1m. 2011
Holy Ordinance. Acrylic, emulsion and card on calico. 32cm x 43cm. 2011
Faith. Acrylic, emulsion and card on calico. 32cm x 43cm. 2011
God. Acrylic, emulsion and card on calico. 32cm x 43cm. 2011
Companion. Acrylic, emulsion and card on calico. 32cm x 43cm. 2011
String Theory. Oil and acrylic with plaster on canvas. 1m x 1.4m. 2001-2010
String Theory II. Acrylic and string with plaster on canvas. 1m x 1.4m. 2010-2011
Rigging. String, acrylic & cardboard with papier-mâché on canvas, 53cm x 74cm, 2011
Headship. String, acrylic & cardboard with papier-mâché on canvas, 53cm x 74cm, 2011
Immeasurable Love. Acrylic & plaster on canvas, 55cm x 76cm, 2011.
My_People. Acrylic, cardboard and papier-mâché on canvas, 69cm x 26cm, 2011
I Pledge. String, plaster and acrylic on canvas, 53cm x 90cm, 2011
Circle. Acrylic and string on canvas, 53cm x 90cm, 2011
Relationship. Acrylic, string and card on canvas, 30cm x 40cm, 2011
Lodge. Acrylic, string, card and papier-mâché on canvas. 38cm x 72cm. 2011,
Shifting Shadows Acrylic, string, card and papier-mâché on canvas. 38cm x 72cm. 2011.
I'd also made some small mounted miniature copies of my sketchbook pages to put into the display cases, along with a blurb about the project itself.
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| Paintings waiting to be loaded into car. (I still love that Jeff Lynne picture) |
I enlisted the help of my dad, as he has a bigger car than me, to help transport and set up the paintings. We arrived at the exhibition room at 9am. I laid out the paintings roughly in an order from first to last, then tweaked them to add some symmetry to each wall. After adding name tag/price information to each image, my father and I hung each picture, steadily marrying up the hook and eyes of the hanging system. The building is listed so none of the walls are allowed to be screwed into or have anything stuck onto them, including tape/blue tac etc. The labels then had to be stapled to the bottom of each painting.
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| Photo-montage of exhibition space. |
After we'd finished I took some photographs. Looking at the paintings in that room was such a thrill. I know it's not a really flash gallery, and I know it's not in London, there won't be any influential art critics going along to a library in Hull to see my exhibition. However, I am really excited and chuffed with the results.
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| Photo-montage of exhibition space. |
I never set out to sell any of the paintings, I did them because I wanted to paint, but seeing them in that space just made me feel like maybe I could make a living from art. I'd be happy to have them seen, if someone buys one I'll b over the moon.
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| Cornered |
For more info check out :
String Theory